Monthly Archives: August 2017

When Faster isn’t Really Faster

1_thumbRecently, it was announced that the CTF Finance Center in Guangzhou, China broke records as the fastest elevator in the world to date. Believe it or not, it travels at an astounding 46.9 miles per hour straight up! Wow! An elevator in Shanghai, China (Shanghai Tower) finishes in second place with a speed of 42.8 mph and the fastest North American elevator clocks in at a paltry 22.7 mph in comparison. It is located at the Freedom Tower at 1 World Trade Center in New York. It is a bit slower but the show you get going up and down is worth it.

As it turns out, the elevator in your building is not breaking any world records, but, unless you are in the Willis Tower in Chicago or the Empire State Building in New York, you probably don’t need a three million dollar monstrosity that can hit highway speeds. Keep in mind that the world record holding building has a total of 95 elevators and only two elevators are the super fast ones and they only go from the first floor to the 95th where the world’s highest hotel resides. As a matter of fact, the CTF Finance Center has 52 medium and low speed elevators, as well as the two speed-demons.

Find out why speed is overrated. Click here. 

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A Blank Canvas – The Architect’s Dream

nypl.digitalcollections.b3afd5e1-27a1-4acf-e040-e00a180661f0.001.wArchitects often see setbacks worthy of quitting when trying to integrate the restrictions and requirements of GC’s into their artistic design.

One of history’s most important artists could have also let setbacks and failures crush him as a young painter. Giving up would have been more than understandable, as Paul Cézanne’s father saw no future in the world of art for his son and, ultimately, was instrumental in pushing his young son to study law and work in the bank he had founded instead of following his heart.

Further disappointment followed when Cézanne finally applied to enroll in the École des Beaux-Arts in Paris (one of the most prestigious schools) and he was rejected almost immediately. Likewise, in the various salons in Paris, time and again his work was refused. A lesser man’s dreams would have been extinguished and one could only imagine the pressure and anxiety that accompanied every stroke of the brush.  It’s no wonder he was quoted as saying, “It’s so fine and yet so terrible to stand in front of a blank canvas.”

The blank canvas to Cézanne was equally torture and pleasure, but none can dispute the energy he drew from it. It led to him being one of the most influential artists of his time. He was drawn to the blank canvas, simultaneously pushed and pursued by it.

In the “mother art” (architecture – according to Frank Lloyd Wright), architects too are drawn to the blank canvas. Read the rest of the article here!

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