Architects often see setbacks worthy of quitting when trying to integrate the restrictions and requirements of GC’s into their artistic design.
One of history’s most important artists could have also let setbacks and failures crush him as a young painter. Giving up would have been more than understandable, as Paul Cézanne’s father saw no future in the world of art for his son and, ultimately, was instrumental in pushing his young son to study law and work in the bank he had founded instead of following his heart.
Further disappointment followed when Cézanne finally applied to enroll in the École des Beaux-Arts in Paris (one of the most prestigious schools) and he was rejected almost immediately. Likewise, in the various salons in Paris, time and again his work was refused. A lesser man’s dreams would have been extinguished and one could only imagine the pressure and anxiety that accompanied every stroke of the brush. It’s no wonder he was quoted as saying, “It’s so fine and yet so terrible to stand in front of a blank canvas.”
The blank canvas to Cézanne was equally torture and pleasure, but none can dispute the energy he drew from it. It led to him being one of the most influential artists of his time. He was drawn to the blank canvas, simultaneously pushed and pursued by it.
In a CNN online article about boutique hotels, the focus was on impressive finishes and features of various boutique hotels around the world. The story highlighted several pieces that made up the architectural design and set the hotels apart, enhanced the experience and told visitors exactly what the hotel is all about.
For instance, in the article it shows the lobby of the Hotel Vagabond in Singapore. It is outfitted with several imposing pieces, including a golden elephant “hoisting” up the main elevator. The work was designed by artist Franck Le Ray and his artistic ability certainly added a unique touch to the lobby. It gives the visitor’s eye plenty of opportunities to remain busy while waiting patiently for the elevator. Beyond that, it lets you know precisely where you are, in a unique place that is fun and exciting. Cladding the hoistway with the impressive sculpture was certainly a departure from the ordinary, but the lesson learned should go deeper.
The lesson is not about putting a massive pachyderm in your lobby at all, but instead forces the question “What message do the elevator fixtures, hall calls, car interior and hoistway finishes say about the building you are in?” Most likely, if you are reading this blog post, you are not in a Singapore hotel, but that should not prohibit you from thinking about the message your elevators give to visitors. It is important because the one place that you know for sure people will look in your building, beyond almost anywhere else, is the elevator and its fixtures.
Think about it. You go through the lobby with your eyes darting all over the place. You are taking in the visual cues from the front desk to the lobby furniture, but then all that visual stimulus stops when you press the elevator button. You look down at the button, give it a gentle poke and your eyes move immediately to the floor indicator. Unless interrupted, it generally stays there until the elevator arrives. You then walk into the elevator car, taking in the look and feel, and again your eyes shift to the floor indicator light. That’s a lot of time and opportunity to tell people about your organization by the look of the car and the fixtures. Sometimes the elevator conveys a professional feel with a clean, simple, efficient buttons and displays. Other times, something more quirky or modern is warranted.
The same is true with the hoistway. If the elevator is on the outside of the building, it should enhance or at least work with the architectural vision of the building. If the elevator is a free standing element of the lobby, it has to be carefully integrated with the interior design.
Fortunately, if you are thinking about a new elevator, Phoenix Modular Elevator has a solution that is right for you. We have flexibility to make architectural design easy with a hoistway that can be clad in any material you need, even a golden elephant. Also, the interior of the elevator car can be custom made, from standard laminates, stainless steel to unique coverings such as barnwood or any combination of the three. The fixtures can also be any style or type available, from a classic look to modern. This will help your architect design the impact you are looking for.
From simple, off-the-shelf elevators to one of a kind masterpieces, we can accomplish anything you desire. Your building lobby may not need a golden elephant, but never let limited options prevent you from that if it is your dream.
Being an architect is one of the most demanding occupations in existence. Years of study, combined with formal training and on the job experience, is required. Added to the mix is the pressure of perfection coupled with a demand for creativity. Sometimes it seems like there are very few ways for architects to escape the woes, stresses and strains of the occupation they have chosen when working on a project.
One solution to lighten this load is to consider modular construction for some project building components. Oftentimes, modular solutions are easily incorporated into drawings and plans with drag and drop capabilities. Modular elevators fall into this category, as they provide a fast, simple solution for vertical transportation, as well as a flexible hoistway and car design.
In this picture of a medical center in California, the focus is on the elevator hoistway’s exterior design. It is clad with architectural metal wall panels that give it a professional, cutting edge look that matches the rest of the building perfectly. The hoistway was able to easily fit within the architect’s vision, one which allows the elevator to enhance, rather than disrupt, the building design.
In addition, there is flexibility in placement. Modular elevators can be placed on the exterior or interior of a building or even be free-standing in an atrium. The possibilities are truly endless.
To make placement of the elevator as painless as possible, most modular component companies provide drawings that can easily be placed into project drawings. This was true in the example project. Not only was the architect able to drag and drop the hoistway details into the project plans, but the machine room drawings were also available.
While the job of an architect is filled with angst, tests, demands and pains not associated with many other occupations, there are some technologies that help lighten that burden just a little bit.