Tag Archives: Design

A Blank Canvas – The Architect’s Dream

nypl.digitalcollections.b3afd5e1-27a1-4acf-e040-e00a180661f0.001.wArchitects often see setbacks worthy of quitting when trying to integrate the restrictions and requirements of GC’s into their artistic design.

One of history’s most important artists could have also let setbacks and failures crush him as a young painter. Giving up would have been more than understandable, as Paul Cézanne’s father saw no future in the world of art for his son and, ultimately, was instrumental in pushing his young son to study law and work in the bank he had founded instead of following his heart.

Further disappointment followed when Cézanne finally applied to enroll in the École des Beaux-Arts in Paris (one of the most prestigious schools) and he was rejected almost immediately. Likewise, in the various salons in Paris, time and again his work was refused. A lesser man’s dreams would have been extinguished and one could only imagine the pressure and anxiety that accompanied every stroke of the brush.

It’s no wonder he was quoted as saying, “It’s so fine and yet so terrible to stand in front of a blank canvas.”

The blank canvas to Cézanne was equally torture and pleasure, but none can dispute the energy he drew from it. It led to him being one of the most influential artists of his time. He was drawn to the blank canvas, simultaneously pushed and pursued by it.

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In the “mother art” (architecture – according to Frank Lloyd Wright), architects too are drawn to the blank canvas,  but their medium is more than stretched linen over a wooden frame. Architects are the artists of concrete and steel, who give us the visual and textural quality of day to day life and expression.  Like Cézanne, they need the blank canvas to create and to dream. This physical “canvas” for them must be malleable for the outcomes they desire; it must be a surface that can be honed and shaped.  However, all too often architects, due to the history of the modular industry, are slow to see the components as a canvas.

They sometimes see modular as pre-stamped cookies falling off of the end of an assembly line devoid of flexibility and artistic expression. Yet, nothing could be further from the truth. The modular industry has changed significantly and now works hand in glove with architects to make inspirational creations. For instance, with our modular elevators, virtually any interior of the elevator car can be accomplished. We have produced glass elevator cars, cars made from reclaimed barn wood, cars with raised panels, and every manner of stainless steel or laminate you can imagine. We also have standard designs available for cost efficiency without losing a personal touch. The result is that the elevator is no longer a hindrance to the overall design but an enhancement to the overall project. Too often when walking through a building the elevator interrupts the integrity of the design, but that is no longer necessary when using a modular elevator in a construction project.

Likewise, if the hoistway or shaft is visible, our designs can carry the wishes of the architect beyond the first floor lobby. Modular elevators that are exposed to the exterior of the building can be fitted with any surface from stucco to rolled metal, fitting in perfectly with the concept of the overall structure. If the hoistway is part of the interior, it can be just plain drywall ready for finishing or decorative perforated metal. The possibilities are endless because the design is in the hands of the real artists–the architects that can make a construction project come alive.

In addition to the flexibility of design, the customization of the elevator car and hoistway, per the architects requirements, does not slow the manufacturing process and never impedes the installation time of less than a week in most cases.

So in every way, reconsider modular manufacturing and think of Phoenix Modular Elevator as your canvas ready for your artistic vision.

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Time – The Most Precious Commodity

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By Russ Ward

Being raised in the the 1960’s and 70s, my friends and I actually lived scenes from movies like Stand By Me and The Sandlot, as well as television shows such as The Wonder Years.  We were close-knit compadres, and many life lessons sprung from the hijinx and innocence of suburban neighborhood living in small town America. Even today when the “gang” gets together to reminisce about days past, there are still nuggets of knowledge that we glean from the stories we tell. For instance, while speaking with a childhood friend recently, I learned an important lesson about time and how precious it is.

That friend was Abe, one of the brightest, most introspective men I know. However, this wasn’t always the case. He, as was the whole gang, was a victim of poor teenage driving habits, often confusing the left pedal with the right. We were all novices behind the wheel with a long list of escapades and close calls where the vertical foot pedal (the gas) was employed rather than the horizontal one (the  brake).  One day on his way to school, all of those close calls and confusion cost Abe significantly, as the front of his parents station wagon made the acquaintance of an innocent automobile.  Word of the accident spread quickly, and later in the day, as the broken hulk of the automobile sat lifelessly in the driveway of 15 Buena Vista Drive, my friends and I stood in the street laughing, making broad gestures and wondering aloud what would become of poor, hapless Abe.

His father was the serious sort and not to be trifled with. Although he was a great and generous man, he played the part of stern father perfectly. He rarely smiled in our presence and he had a glare, through deep bushy eyebrows, that could melt most teenagers right out of their Chuck Taylors. Plainly put, if all of humanity is blessed with one superpower each, this dad’s extraordinary ability was his teenage-dissolving gaze. Couple that vision with the vivid imagination of three hyperbolic teenagers gawking at the dented Ford LTD Country Squire station wagon and one could only imagine the scenes we pantomimed as we brashly discussed the looming punishment that Abe would be facing. Little did we know that behind the bay window of the house that faced the street and the twisted steel hulk of a station, stood father and son.

What was surprising was not what the father said about the three stooges at the end of the driveway. Instead, as I listened to Abe tell the story years later, I was most surprised by his father’s overriding premise that the toll the accident would ultimately take would not be relegated to a bent bumper and caved in fender, but rather to time lost.

After all was said and done, what the father was most displeased with, besides the dented car and the antics of three knotheads,  was the many hours lost due to meetings and phone calls with the insurance company and car mechanics. In his wisdom, he knew time lost would never be found again, a lesson that was not lost on Abe through the years. He knows that the problem with time is that it is often difficult to quantify, like a mist that slips past us unnoticed. Because of this experience, he is more cognizant of the clock and how precious each second can be.

You’re probably asking yourself, what does this have to do with modular elevators? One of the benefits of modular elevators is the time savings.

A construction expert put it this way: traditional elevators have a minimum six month installation time, regardless of the upfront estimate. Modular elevators, on the other hand, can be installed in as little as one week. He went on to say that, using rough math, if installing an elevator in a hotel of 100 rooms at approximately $100 per room per night takes six months to install, this results in approximately 180 fewer days of occupancy. This comes to 1.8 million reasons to contact Phoenix Modular Elevator and find out more about the fastest installing, quality commercial elevator in the world. As Benjamin Franklin observed, time is fleeting, but it is also quantifiable. Just ask Abe and his dad.

The fastest installing elevator begins with a quick quote.
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Lightening the Architectural Load

california-architectBeing an architect is one of the most demanding occupations in existence.  Years of study, combined with formal training and on the job experience, is required. Added to the mix is the pressure of perfection coupled with a demand for creativity. Sometimes it seems like there are very few ways for architects to escape the woes, stresses and strains of the occupation they have chosen when working on a project.

One solution to lighten this load is to consider modular construction for some project building components. Oftentimes, modular solutions are easily incorporated into drawings and plans with drag and drop capabilities. Modular elevators fall into this category, as they provide a fast, simple solution for vertical transportation, as well as a flexible hoistway  and car design.

claifornia-architect-2In this picture of a medical center in California, the focus is on the elevator hoistway’s exterior design. It is clad with architectural metal wall panels that give it a professional, cutting edge look that matches the rest of the building perfectly. The hoistway was able to easily fit within the architect’s vision, one which allows the elevator to enhance, rather than disrupt, the building design.

In addition, there is flexibility in placement. Modular elevators can be placed on the exterior or interior of a building or even be free-standing in an atrium. The possibilities are truly endless.

To make placement of the elevator as painless as possible, most modular component companies provide drawings that can easily be placed into project drawings. This was true in the example project. Not only was the architect able to drag and drop the hoistway details into the project plans, but the machine room drawings were also available.

While the job of an architect is filled with angst, tests, demands and pains not associated with many other occupations, there are some technologies that help lighten that burden just a little bit.

The fastest installing elevator begins with a quick quote.
To get an elevator start here with a quick quote!